Thursday, January 22, 2004

Puppies.

I was over at a friend's parents house for supper. We were sitting at this long table. I was wearing a dress. A nice dress I suppose, but a dress nonetheless. For appetizers the host brought out this carton - kind of like a chocolate box - and passed it around. Everyone was passing on the offer except for one large gentleman at the other end of the table who scooped up a serving and shovelled it into his mouth with glee. When the carton got around to me I opened it up and found it to be filled with tiny puppies, each in an individual slot. Revolted, I quickly tried closing the lid, but this one frisky puppy kept trying to escape. Over and over I tried closing the lid but the puppy kept squirming about trying to get out. Finally I managed to slip a finger under the lid to hold the little guy in place while I slipped the lid shut. I, being at the last person offered the box, put it on the serving table. The dinner went well and the food was fantastic, but I was worried the whole time about soiling my dress. After dinner when all the guests had retired to the sitting room, I stayed to help clean up the dishes. Spying the carton of puppies I decided to open it up and have a peek. Doing so I found all the puppies lifeless - dead. Worried that maybe I had killed them, I closed the lid once more and kind of gave them a little shake to settle them neatly back into their respective slots. I set the carton down and joined the others in the sitting room, but could not take my mind off the puppies.

Tuesday, January 20, 2004

Kafka, the idiot.

"Keep pushing!"

It's nighttime, and I'm down by the docks with the Hell's Angels for some reason. We're trying to push this little rowboat away from shore, but it seems to be stuck on something. It's raining and I'm getting water in my eyes - both rainwater and lake water. The lake water laps up against my legs and the side of the boat. I'm thinking about pollutions and poisons. I'm yelling at some idiot called Kafka.

"Hey Kafka, I said push not pull!"

The idiot keeps pulling anyway, and all his cohorts are just standing on the nearby dock looking like giant leather-clad morons. I call over to them.

"You idiots want to help out?!"

They all start looking at each other and shifting around. I'm thinking about cattle. I backhand Kafka and he reels back, falling into the water.

Working alone, I manage to push the boat out. I jump in and find it packed with paper-wrapped boxes. Grabbing up the paddles, I begin rowing out into the black water.

I look back and see Kafka struggling to shore to meet up with his fellow idiots. The city skyline sits queerly in the background, ablaze with gauzy lights.

I'm glad to be getting away.

Row away from shore
Under the cloak of midnight-
No sound but the waves

...

No sound but the waves.

Monday, January 19, 2004

A Shift Unfolds on CCTV (The Berlin Defense)

0211

The bars have let out. I'm watching a couple on the benches along the planters. A slight young girl sits, crying, on the bench with her boyfriend's arm around her. He looks immature, unsure – maybe even scared. I wish to admire the girl's beauty more closely, and zoom in just in time to catch a tear shimmering in the moonlight, sliding down her rosy cheek from a pale blue eye. A hand enters the screen to brush it away. Going wide, I discover it to be the boyfriend's. His lips brush her ear. A whisper. A smile breaks on the girl's perfect lips. A laugh, shared. I pull back further. The boy awkwardly pulls her atop him, and she obliges, straddling, her jeans pulled taught over her slender thighs. Embarrassed, I pan away.

King-knight to king-two.

Expected as much.

So, I didn't now you had a brother...

Used to. Musician - was halfway through recording his first album when he drowned in the lake.

Wow, sorry, must've been really tough.

Yeah, he was a good swimmer even, but the lake still took 'im. Was hardest on our dad. He sat on the couch for days just crying and reading his bible.

...Man, what could've been.

0437

I have the camera facing south toward the old courthouse. I'm looking beyond the geometrically challenged planters with their dead plants and fake 'holiday trees' which are really nothing more that multicoloured bulbs in a conical formation. My attention is caught by a hooker sauntering down the street, her walk sad with no-one watching. A high-heeled shoe slides on the frost-slicked sidewalk. I zoom in. As she reaches down to fix the strap on her shoe, her already too short skirt is hiked up further exposing more thigh. I imagine goose-bumps. With a flip of her chocolate hair, I catch a splash of red red lips before she disappears down the street.

Bishop takes bishop.

Smart!

Thanks, so you were saying ya don't party so much anymore...

Naw, I came to a lot of realisations while in Montréal one summer. I was pretty big into the booze and coke back then.

Blow eh?

Yes, that most glamorous of drugs. I thought about quitting when I found myself hunched over a toilet tank in a gay bar early one morning snorting a fat line up one nostril and bleeding out the other.

Geeze.

I decided to quit for sure when I woke up in bed the next day with Louis Riel.

Hm-

I don't think we did anything though.

0603

There’s movement inside the coffee shop. Sitting beneath a single light, a woman – the owner I think – is hunched over a table writing. If I manipulate the camera just so, I'm able to look through the glass and read over her shoulder. Closer. Closer. Numbers. She's putting numbers into columns. Pausing, she rests her chin in her hand and looks out the window, troubled it seems, and shakes her head slightly. Next, she takes a sip of coffee, before burying her face in her hands, her shoulders quaking. I pull back.

Knight takes bishop.

Ya got me in four moves.

I know.

So, ya ever think you'd be doing this job?

Yeah.

Really?

Yeah, I think a lot of things.

Aw, turn it up - I love this song! Man, Johnny Cash was a genius.

I love Johnny, but he was no genius.

Ya don't think?

No, I think the word genius is overused. Johnny was a con artist – a master in marketing – but he was no genius.

Uh-

Thing is, you are whatever you can convince people you are. You want to be smart? Con everyone into thinking you are. You want to be mysterious? Con. Want to be sexy? Con.

Suppose.

And it's even easier if you con yourself first.

Sunday, January 18, 2004

Twinge (Nostalgia)

I've discovered the place in the universe where anticipation is felt most acute - an empty train station.

Remember that night in Winnipeg with the pre-op transexual?

Yeah. Listen, you didn't tell anybody did you?

No, of course not, we're friends.

Right. She was really pretty, huh?

Yes, he was actually, quite.

I've discovered the most uninspiring place in the universe - it happens to be my office.

Remember that gas station in Burnaby - the cash drawer?

Yeah. No-one else knows about that, right?

No, of course not, we're friends.

Right. Man, we even split the loot on the back steps of that church.

I didn't even expect you to give me anything but you kept insisting-

Well, we're friends aren't we?

I've discovered the loneliest place in the universe - right here.

Remember that time with the underage girl in Halifax?

...Dude, I don't think that was with me.

...Oh, well she told me she was sixteen.

Do tell.

Well it all started when she brought out this huge cube of hash. Me and - hey, you're not going to tell anybody about this, right?

No, of course not, we're friends.
Disgorged by: Trite R, 11:07 AM | link | 0 comments
Saturday, January 17, 2004
Haiku for today.

I saw your blanket lying there
So empty-
It made me think of you
Disgorged by: Trite R, 10:27 PM | link | 0 comments
Haiku for today.

Black birds in a winter sky
Bring me happiness
When you're not around
Disgorged by: Trite R, 11:24 AM | link | 0 comments
Friday, January 16, 2004
Monitors

It wouldn't make any sense. It wouldn't make any sense to just tell it, that is. Like - just explain it. I could say that I was in this dark little room. I think I was thinking about things. There was a little cot. I was on it. Word on the ceiling - WATCH. A little TV comes on in the middle of the wall with snowy reception. A monitor. A monitor? [Hazard of the job. I wake up at this point in a sort of panic, but curious about what's onscreen, I go back to sleep.] Lying on the cot. There's someone outside the door - I can tell. I'm dreaming though, so I'm not worried. Another monitor comes on from elsewhere in the room. I jump up to look at a screen, and a few more jump to life behind me. The room is becoming brighter. [I wake up again at this point, and, again, make myself go back to sleep.] I'm trying to make out what's on the screen, but I can't quite tell. More monitors are clicking on, as others are in different states of clearing reception. There's movement on the screen. People. Strange familiarity. About half the monitors are on - they seem to completely fill the walls. Then I come to the realization that it's me on the monitors. Me and people I know. Friends, family, and such. Most of the monitors are on now and the room is horribly bright. Looking over at the cot, I find it to be a washed out pale colour. There's deep lines etched into the ceiling and I notice more graffiti. [Should have read more of it!] I think about how hard it would be to sleep with all this light. I'm racing around looking at all these screens, and I'm realizing that they're showing scenes from my life. I'm trying to look at them all - maybe I'm looking for something in particular? I look over just in time to catch the last monitor clicking on. The light becomes too intense and there's some kind of horrible noise that has been building unnoticed. [I wake up, fast. I scrawl this on bedside notebook:

I've managed to keep down the poison
Things always turn out this way
I lay on the ground in the darkness
Sick, with my head buried in my arms

Further attempts at reconnecting to this dream fail, and, instead, I fall into a dead dreamless coma for a couple hours.]

Saturday, January 17, 2004

Haiku for today.

I saw your blanket lying there
So empty-
It made me think of you

Haiku for today.

Black birds in a winter sky
Bring me happiness
When you're not around

Friday, January 16, 2004

Monitors

It wouldn't make any sense. It wouldn't make any sense to just tell it, that is. Like - just explain it. I could say that I was in this dark little room. I think I was thinking about things. There was a little cot. I was on it. Word on the ceiling - WATCH. A little TV comes on in the middle of the wall with snowy reception. A monitor. A monitor? [Hazard of the job. I wake up at this point in a sort of panic, but curious about what's onscreen, I go back to sleep.] Lying on the cot. There's someone outside the door - I can tell. I'm dreaming though, so I'm not worried. Another monitor comes on from elsewhere in the room. I jump up to look at a screen, and a few more jump to life behind me. The room is becoming brighter. [I wake up again at this point, and, again, make myself go back to sleep.] I'm trying to make out what's on the screen, but I can't quite tell. More monitors are clicking on, as others are in different states of clearing reception. There's movement on the screen. People. Strange familiarity. About half the monitors are on - they seem to completely fill the walls. Then I come to the realization that it's me on the monitors. Me and people I know. Friends, family, and such. Most of the monitors are on now and the room is horribly bright. Looking over at the cot, I find it to be a washed out pale colour. There's deep lines etched into the ceiling and I notice more graffiti. [Should have read more of it!] I think about how hard it would be to sleep with all this light. I'm racing around looking at all these screens, and I'm realizing that they're showing scenes from my life. I'm trying to look at them all - maybe I'm looking for something in particular? I look over just in time to catch the last monitor clicking on. The light becomes too intense and there's some kind of horrible noise that has been building unnoticed. [I wake up, fast. I scrawl this on bedside notebook:

I've managed to keep down the poison
Things always turn out this way
I lay on the ground in the darkness
Sick, with my head buried in my arms

Further attempts at reconnecting to this dream fail, and, instead, I fall into a dead dreamless coma for a couple hours.]

Haiku for today.

Plastic container
In my refrigerator-
Lunch for tomorrow

Friday, January 9, 2004

Doctor/Patient

Dr Whitman reclines, sinking comfortably into his leather chair behind his massive mahogany desk. Resting on one elbow, he plays with his pen, clicking it in his free hand. He’s watching his patient, and waiting for her to settle into the leather chaise longue across the room. Satisfied that she’s achieved comfort, he stands and approaches.

“It’s nice to see you again, Ms Sinclair.” He sits himself down on a little stool along side the couch. “You seem rather melancholic today – is there something you wish to discuss with me?”

Ms Sinclair doesn’t even stir when the doctor approaches, but lays still, relaxed, with one arm draped over her eyes. After considering his question for a moment, she responds, lazily. “Indeed, Doctor, but I’m going to suggest we do away with all the distractions first.”

Bemused, Dr Whitman smiles. “Pardon me?”

“It’s easy doctor, I’ll just ask that you first clear your mind – focus...”

The doctor flips open his notebook, puts his pen to paper, ready to take notes. “Now, just one minute, Ms Sinclair; what is it you're you talking about?

Sinclair: Focus...

Whitman: My word! You can be silly sometimes.

Sinclair: But isn’t this better? No more fluff?

Whitman: If you say, Ms Sinclair, if you say. Now, what is it you wish to tell me?

Sinclair: You are not actually here, Doctor.

Whitman: Please, Ms Sinclair, not this tired issue again.

Sinclair: The same but different. I’ve been doing some thinking. There’s a twist.

Whitman: Oh? How so?

Sinclair: I am not actually here either.

Whitman: Ah...

Sinclair: Oh, tell me you’ve never considered the possibility.

Whitman: Well, sure I have, but then I came to the conclusion that the possibility is absurd.

Sinclair: And what makes you so smart?

Whitman: You.

Sinclair: Ah! He jests! The man has a sense of humour!

Whitman: Ms Sinclair, please...

Sinclair: Just consider it. We’re not here, we’re-

Whitman: Ms-

Sinclair: No! I will not stop talking. What if we’re not here, doctor? You say you’ve considered it – everyone has. What if it’s true?

Whitman: Something like Chuang Tzu and his butterfly dream.

Sinclair: Right - sort of. Chuang Tzu could not tell if he was dreaming he was the butterfly, or if the butterfly was dreaming she was he. What I’m proposing is that they were dreaming of each other.

Whitman: Hmm, interesting.

Sinclair: Right? It could be true that neither existed. Or maybe they both did but were someone – something – else...

Whitman: Go on, Ms Sinclair, you have my ear.

Sinclair: What if we’re not who we think we are? What if we’re not real, or are real and are someone else? We could be two egos haggling over the price of a nickel-plated Kalashnikov in a weapons bazaar in the bordertown of El-Azhr. We’re both clutching the weapon across the table, feeling its cold metal in our hands, and spitting harsh words at one another. And we imagine, together, that we’re actually a doctor and patient. Even if for a spit-second our thoughts and imaginings coincide, our other selves are brought into a different reality – a different universe. Tell me, doctor, have you ever held a gun in your hands?

Whitman: Yes, I hunt quail.

Sinclair: So you can tell me how a gun smells, how your hands smell after you’ve held one?

Whitman: Like, like metal – metallic, and something else. Sort of...oily.

Sinclair: Right. And you’re smelling it now.

Whitman: I am, yes.

Sinclair: We might even be two lovers on a beach, lying side by side in the sand, our hands stretched out toward one another, my fingertips gently brush yours. We’re not even talking; only thinking-

Whitman: Ms Sinclair, enough, I understand-

Sinclair: You can even be the girl if you want. Maybe you are; it doesn’t matter. Can you tell me what the beach smells like, doctor? What you smell right now?

Whitman: The smell of seaweed is carried in off the ocean in the brackish air. If you stay long enough the salt lines your nose, the mucous membrane, and you start to taste it. You smell the sand, too. It’s fresh and earthy. It smells new, yet it’s so old.

Sinclair: Have you ever been to the beach, doctor?

Whitman: No, I have not.

Sinclair: But you’re right, that’s exactly how it smells. You only know that because you’re there right now. You’re there right now with me.

Wednesday, January 7, 2004

To these already familiar

A thought comes to mind
And I feel the need to speak it aloud.
Hanging frozen in the air,
Each word looks the same as the next;
A white cloud of vapour.
I know now that all words are meaningless.

When I lived in the mountains I soon forgot them. Now I live amongst glass towers and I forget them too - until I look up. The unimportance of where I live...

All cities are all cities.

Friday, January 2, 2004

...

Nothing is more lonely than an empty

bar

nonsense

I’m gonna burst through and become something new. Kick off my shoes and go on a real wild ride, ya know? Rock ‘n’ roll. Lock ‘n’ load. I’ll jack into that sun and steal the airwaves - surf the deadly curl of Aurora Borealis – slip on down through a crack in the atmosphere. Putting on a pile of parkas, I’ll be back on that beach in Spain; the one where I met that fish that time. A real looker, too. He’ll realise just how right I really am after I take all those tests. Ace them all. Throw them right out the window with all that other junk. Stuff ya don’t need, but will gladly snatch up at my neighbour’s next garage sale. Mortgage your destiny and liquidate providence. I’ve a coveted ticket to the big show, the big debut scheduled for early next millennium. It’s gonna be a real party, like. Ya’ll are invited, too, if you know the right folks. Thinkin’ folks. People you knew back then in the good ol’ days – real philosophers, too. Back when a philosopher’s only job was to think. Take me back ahead to that time. Strand me there. I’ll call when I’m ready to come home.

That Oily Blue Whisper

I leaned back and sank further into the overstuffed red pleather couch. For the first time, I realized that there was music playing. Coincidentally, it was the same colour as the walls.

A washed-out yellow-orange.

James Brown. After listening for a time, I decided that James Brown was perfect for E trips. Surely, he was high on E when he wrote Papa's Got a Brand New Bag. It just made so much sense that night. With my eyes closed, I was alone and two thoughts swam through my mind: (they are lost in the imperfection of memory).

At some point whilst wandering the wilds of solitude, I lost my ability to lie, I loved everyone, and everything felt amazing.

I ended up out on the back steps with Tina beneath a big blue moon, in the warm summer air; it felt like tepid water to me, and Tina's forearm seemed to melt into my own. We became one that night, sharing everything important with one another: our hopes and dreams, our loves and desires.

Everything that was good.

Her fingertips stroked part of my neck for at least three hours while we talked - I thought for sure she had worn a groove into my flesh, and I'd have a permanent reminder of that night.

But this was not a bad thing.

Finally, at about half past eternity, we started to get chilly as the sun came up. Heading into the house that morning, we found everyone peaceful and passed out, scattered carelessly about the room. Staking out a spot on the floor, we fell asleep in each other's arms. Perfect. Platonic.

The next day - no, the next week - was horribly mundane.

Thursday, January 1, 2004

fragments

I keep having this image flash in my mind - some kind of mental hallucination. Almost like it's an image of what eternity looks like - maybe infinity - maybe both. I tried to write about it last month [November 15th - 4 days before my birthday! Connexion?], and posted it as a sort of free verse. Not the right format for it though, and it didn't really hold the weight of the image when I went back to look at it.

I'm adrift on a makeshift raft.
The sky is completely black
But for the tiny pin-pricks of stars.
Silence.
The deep green sea
Is illuminated from beneath.
(Like I'm floating on liquid emerald.)

---------------

Need to expound on it further: I am adrift on a makeshift raft in the pitch black of midnight - the stars nothing more that pin-pricks in the sky. It feels like this is all taking place inside some sort of large box, and the stars are just holes in which white light from the infinite Outside is passing through. That's the feeling I'm getting anyhow. The deep green sea on which I'm floating is strangely illuminated from underneath by some unknown light source. Looking at myself in third-person view, I finds that my skin is awash in an eerie green/yellow hue. It is not entirely silent, as I can hear the splish-splashing of water against my raft. I'm not worried about my situation, but entirely at peace with it. Things are just as they are. Some sort of purgatory? The one thing I'm thinking about is how there can be so much quiet in such a large place. Dangling an arm over the side of the raft, I find the water to be the same temperature as me. Like blood? I know that there is nothing alive in the water or in the air. In fact, there is nothing at all in this box. Only me.

[Need to think about what this means - why I'm so worried about forgetting it.]

dream

Dreamed that I discovered the boiling point of fire. This was a very vague dream and I don't remember much, but that was the central idea. Gave way to thoughts of: "well, if you can boil fire, then you must be able to freeze it, too." Was working in some sort of ultra-sterile environment. A lab? Woke with a terrible headache behind my left eye. Suspect possible chocolate overdose. Maybe liquor.